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“What’s keeping you awake?” James Bond’s battles with sleep
“What’s keeping you awake?” James Bond’s battles with sleep

What if we reframed the whole of the Bond franchise as the story of a man just trying to get a good night’s rest? Lifelong insomniac David Lowbridge-Ellis gets under the covers with 007 to explore when he sleeps, if he’s really the early riser he claims to be and why we should be concerned about his dreams.

Debate over? On Her Majesty’s Secret Service IS a Christmas film
Debate over? On Her Majesty’s Secret Service IS a Christmas film

It’s fun to debate the extent to which action movies like Die Hard and On Her Majesty’s Secret Service are ‘Christmas films’. But, in my mind, there is no debate. They are unequivocally Christmas films because they embody the ambivalence of the season: darkness mixed with light; sadness with joy; looking death in the face and, ultimately, choosing to live.

Keeping 007 alive
Keeping 007 alive

Mark Edlitz’s stunning new book contains interviews with every living author who has penned a Bond novel, from Raymond Benson to Kim Sherwood. It also contains special interviews with the son of John Gardner and Ian Fleming Publication Limited's Managing Director Corinne Turner. The cover art is by Sean Longmore, the illustrations are by Pat Carbajal, the foreword is by three time Bond scribe Bruce Feirstein and the afterword is by me.

“An alternative action hero”
“An alternative action hero”

David was featured on German’s biggest TV channel, ZDF, talking about how James Bond provided him with an alternative role model when he was growing up, especially compared with the supposedly hypermasculine action heroes of 70s and 80s cinema.

Licence To Queer covers queer aspects of Bond books, video games and more. Search here for your favourite titles and characters or find content related to particular queer identities (lesbian, gay, bisexual, trans, etc).

David Lowbridge-Ellis David Lowbridge-Ellis

Sneaky Bond

The scenes where Bond sneaks around places - hotels, enemy bases, even his boss’s house - are highlights of the series. What is about them that makes them tick - and our hearts race? Do we experience these episodes differently if we have reasons to feel fearful in our own lives? How much is the music responsible for their effectiveness? And what are Licence To Queer readers’ favourite sneaky scenes?

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