The Bond books, films and games are more than just cultural artefacts: they comprise a time capsule of seven volatile decades of social and political history - especially LGBTQ+ history. Although the lives of queer people over this period have generally improved, it’s a mistake to see this improvement as universal - or linear. Sometimes putting one foot forward has been swiftly followed by having to take two back. For seventy years, Bond has been there, reflecting and representing this ever-changing world in which we’re living.

If Dorothy in the The Wizard of Oz is to be believed, there's no place like home. But what if that home is Skyfall? In his 50th anniversary queer odyssey, 00-Dorothy doesn’t just kick back against traditional notions of home and family; along the way he creates a unconventional family to replace the one he lost and blows up his childhood abode with dynamite. Talk about cathartic!

Bisexual Bond expert Ben Williams and I have been speaking for years behind the scenes, emboldening each other to be more openly queer. After they came out as non-binary, we thought it was about time we tackled The Big Stuff more publicly: gender binaries, putting who we’re attracted to into boxes and, perhaps most profoundly of all, what needs to be going down in our personal lives to make sense of Quantum of Solace.

In the world of Bond, religion is often portrayed as being as hollow as a diamond smuggler’s Bible. But questioning an institution does not necessarily preclude believing in it. Queer Christian Kathleen Jowitt uncovers deep connections between religion and 007, revealing that a monk and a hitman might have more in common that we might think.

No Time To Die has prompted discussion about what is and isn't "Bond", and has provoked emotional responses from fans and sceptics alike. In this unflinchingly honest and beautiful piece, Craig Gent reflects on his childhood relationship to 007 and how Daniel Craig's final bow has given him the Bond he longed for all along.

For many of us, Timothy Dalton’s third Bond film is the most tantalising ‘what if?’ of the franchise. Targeted for a 1992 release, we all know it wasn’t to be. But what isn’t so well known is a TV drama that Dalton made at this time which gives us a glimpse of how a darker, queerer Bond 17 might have turned out had he stayed in the frame.

Credited with writing ‘additional dialogue’ for On Her Majesty’s Secret Service and responsible for some of the film’s most memorable and poetic lines, outrageously outspoken queer writer Simon Raven had much in common with Bond, including his snobbery, his far from conventional sexuality and a scandal from his school days.